You can also move take lanes using the CTRL(Win) / CMD(Mac) modifier with the up or down arrow key. You can reorder selected take lanes within their track by dragging and dropping them. When holding the ALT modifier, all selected take lanes are resized simultaneously, similar to tracks.
Multiple selected take lanes can be resized by dragging the resize handles with the mouse. Selected take lanes can be resized vertically by pressing ALT- + or ALT-, or by pressing ALT while using the mousewheel. You can delete seleceted take lanes using the Backspace or Delete key, or via the Delete command in the Edit menu. Selected take lanes can be duplicated using the keyboard shortcuts CTRL- D(Win) / CMD- D(Mac), or by right-clicking on the take lane header and selecting “Duplicate.” Inserting a take lane will also immediately show all take lanes, if they were not already visible. You can manually insert a take lane into one or multiple selected tracks, via the Insert Take Lane entry in the Create menu or a track/take lane header’s right-click(Win) / CTRL- click(Mac) context menu, or using the Shift- ALT- T keyboard shortcut. You can use the left arrow key to navigate from a take lane to the main track, this will fold all take lanes as well. Take lanes are not visible when Automation Mode (see ‘Drawing and Editing Automation’) is enabled. Note that this only toggles the visibility of existing take lanes. You can toggle the visibility of take lanes by choosing Show Take Lanes from a track header’s right-click(Win) / CTRL- click(Mac) context menu, or using the CTRL- ALT- U(Win) / CMD- ALT- U(Mac) keyboard shortcut. Take lanes are automatically created when recording new clips in the Arrangement (see ‘Recording Takes’), and they can also be inserted manually (see ‘Inserting and Managing Take Lanes’). Take lanes are never audible, unless Audition Mode (see ‘Auditioning Take Lanes’)is enabled.Ī Track’s Main Lane (Above) and Its Take Lanes (Below).
A track can also contain an arbitrary number of take lanes, which serve as a container for clips that were recorded or manually added to them. The first lane of a track is the main lane, which is always available and is audible by default. (Note: comping is not available in the Lite Edition.)Įvery audio or MIDI track in the Arrangement View (see ‘Arrangement View’) may consist of multiple parallel lanes. You can also drag samples from your library onto take lanes and use comping as a creative sample-chopping tool. You can store alternative versions of a clip arrangement on multiple take lanes. Live can create and organize individual takes from your recorded material, allowing you to piece your favorite parts together. Comping makes it possible to pick the best moments of each recorded performance, and combine them into a composite track (also known as a “comp”).
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